kerkevik_2014: (Default)
http://www.poetryfoundation.org/poem/172063

Sailing to Byzantium
BY WILLIAM BUTLER YEATS
I

That is no country for old men. The young
In one another's arms, birds in the trees,
—Those dying generations—at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.


II

An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.


III

O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.


IV

Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.
W. B. Yeats, “Sailing to Byzantium” from The Poems of W. B. Yeats: A New Edition, edited by Richard J. Finneran. Copyright 1933 by Macmillan Publishing Company, renewed © 1961 by Georgie Yeats. Reprinted with the permission of A. P. Watt, Ltd. on behalf of Michael Yeats.

Source: The Collected Poems of W. B. Yeats (1989)
kerkevik_2014: (Iceberg of Suffering)
Today is one of those days when I feel I shouldn't be allowed out on my own.

I never saw a wild thing
sorry for itself.
A small bird will drop frozen dead from a bough
without ever having felt sorry for itself.

David Herbert Lawrence

http://www.poemhunter.com/poem/self-pity-2/

kerk
kerkevik_2014: (Amanda Palmer Berlin)
This poem is written by a friend of mine, who owns the loveliest of dogs; though that's by the by. It was recently published in a collection called Place Settings: an anthology of words and images from East Perthshire, which came out as a result of Blairgowrie's Bookmark festival of 2014.

I thought it was worth posting here, because it deserves a wider airing. It also reflects something of me just now too.


Inner World
by Janine Kain

My mind, like my home and world, are blocked off to all
others as slowly, brick by brick, the wall surrounded every ounce
of my fragile being. A defence some continue to say, others say a
retreat but I know most are totally unaware I am Gone. Such
was the turmoil of my inner world colliding with the overwhelming
stimuli of life. The wall became a necessity to survive and to keep
everyone and everything away.
On the other side of the wall an old wooden ladder stood tall.
Nobody knows who put the ladder there against the wall. Perhaps
it had always been there like a subconscious thought that one day,
maybe one day it would be required. The last vestige of hope? Or
perhaps the ladder was the world reaching out and offering me a
second chance to embrace life.
Yet, with the offer of help so close at hand I had to learn
to trust. I had to risk all and clamber up the wall from inside my
sanctuary. Once on top of the wall I had two choices. Remain stuck
or climb down the ladder to new beinnings.
I climbed down.



(published in Place Settings: an anthology of words and images from East Perthshire; edited by Joan Lennon, writer-in-residence for BOOKMARK - Blairgowrie, Rattray and the Glens Book Festival 2014)



Goddess watch over us all,
'tis ok to be Takei,
kerk tehkek
kerkevik_2014: (Luggage)
No title that I'm certain of for this one, so I've gone with the first line thing.

It's, again, not a poem I'm familiar with, though I believe I have heard it read before; on Poetry Please maybe? It's by John Milton, who is rather well-known, with whom I'm honestly only familiar with in terms of the, rather obviously famous, Paradise Lost.

Still I think this poem rather suits my mood of today, so here goes...


I pitiful arose
And soon a taper lighted;
And did myself unclose
Unto the lad benighted.

I saw he had a bow,
And wings too, which did shiver;
And looking down below,
I spied he had a quiver.

I to my chimney's shine
Brought him as Love professes,
And chafed his hands with mine,
And dried his drooping tresses.

But when he felt him warmed,
"Let's try this bow of ours
And string, if they be harmed,"
Said he, "with these late showers."

Forthwith his bow be bent,
And wedded string and arrow,
And struck me, that it went
Quite through my heart and marrow.

Then laughing loud, he flew
Away, and thus said flying,
"Adieu, mine host, adieu,
I'll leave thy heart a-dying."


And yes, I do imagine the Luggage (maybe) contemplating, in one of his deeper moments, the various fates of Rincewind and/or the tourist...

btw, if anyone can point me to what the poem would have looked like when originally published, I should be very interested.


Goddess be with us all,
'tis ok to be Takei,
kerk tehkek
kerkevik_2014: For Friendship (War Horse)
As previously reported, I hit a poetry motherlode last week when I ventured into a local second-hand bookshop. Today's treasured nugget is from The Penguin Book of Contemporary Verse (1918-1960); this edition being published in 1962.

The Poet is Laurie Lee, not someone I've read much of in the past. His wikipedia entry says this - Laurence Edward Alan "Laurie" Lee, MBE (26 June 1914 – 13 May 1997) was an English poet, novelist and screenwriter, who was brought up in the village of Slad and went to the Central Boys' School, Stroud, Gloucestershire. His most famous work was an autobiographical trilogy which consisted of Cider with Rosie (1959), As I Walked Out One Midsummer Morning (1969) and A Moment of War (1991). The first volume recounts his childhood in the Slad Valley. The second deals with his leaving home for London and his first visit to Spain in 1935, and the third with his return to Spain in December 1937 to join the Republican International Brigades.


April Rise by Laurie Lee.

If ever I saw blessing in the air
I see it now this still early day
Where lemon-green the vaporous morning drips
Wet sunlight on the powder of my eye.

Blown bubble-film of blue, the sky wraps round
Weeds of warm light whose every root and rod
Splutters with soapy green, and all the world
Sweats with the bead of summer in his its bud.

If ever I heard blessing it is there
Where birds in trees that shoals and shadows are
Splash with their hidden wings and drops of sound
Break on my ears their crests of throbbing air.

Pure in the haze the emerald sun dilates,
The lips of sparrows milk the mossy stones,
While white as water by the lake a girl
Swims her green hand among the gathered swans.

Now, as the almond burns its smoking wick,
Dropping small flames to light the candled grass;
Now, as my low blood scales its second chance,
If ever world was blessed, now it is.


Goddess watch over us all,
'tis ok to be Takei,
kerk tehkek
kerkevik_2014: (Woman_of_ and I)
As previously reported I paid a visit to a local secondhand bookshop and hit a veritable goldmine of poetry books; helped by a three for a pound sale offer. I was going to post something else from this book, but that will wait as it's, strictly speaking, not a poem and I want to check to see if there's audio (or video) evidence of same online.

This, as it says in the subject line, is dedicated to woman_of_ a dear friend who has been awol for a very long time now. I'm sure I'm not the only one who misses her. The last contact I had with her was shortly after we both had to cancel trips to Writercon in Coventry.

I thought she might like this poem by a star of British comic poetry who I have known my entire life, from the old days where you had to have real talent to even appear on a talent show.




There's Some Mistake

Mirror, mirror. on the wall,
Where am I? I'm young and tall,
I'm not like that old bird at all,
There's some mistake . . .
So that old gal, I say again,
Is much too old and much too plain,
With glasses on a chain!
For goodness sake . . .

Mirror, mirror softly lit,
Where is my husband strong and fit?
Raconteur and wit,
There's some mistake . . .
I know my man and he's not it,
That bald and boring stooped old git,
He looks about to quit,
Give him a shake.

Where are my children young and free,
So beautiful for all to see?
They are not here with me,
There's some mistake . . .
They're scattered now, gone to achieve,
With partners I could take or leave,
In silent rooms I grieve
For old times' sake.

The old grim reaper's on his way,
To cut his corn; to make his hay,
The closing of the day,
And no mistake.
He runs his thumb along the blade,
And steps towards me from the shade,
I think I've overstayed
And start to quake . . .

Mirror, mirror, on the wall,
I don't like what I see at all,
You're heading for a fall,
You need a break.
So stand well back and mind the crash,
Here's the brick and there's the smash,
See? Younger in a flash,
A piece of cake.


May the Goddess watch over us all,
'tis ok to be Takei,
kerk tehkek
kerkevik_2014: (I Can't Breathe)
Ok, so today I ventured into a secodnhand book shop in Blairgowrie and hit a veritable gold-mine of Poetry books.

Over the next (however long) period of time I'm going to post as many of the poems that catch my eye; first time around one from each book.

In particular order.

The first book I pulled from the overladen carrier bag is a collection of poems by John Burnside. Since he's not a name I know I'm popping the biog at the back in here :-

'John Burnside was born in 1955 and now lives in Fife. He has published six previous books of poetry, two novels and - most recently, a collection of stories, Burning Elvis. He has won a number of awards, including the Geoffrey Faber Memorial Prize.'

The poem is laid out here as closely as possible to how it appears in the book

THE DANCE OF LIFE

after edvard munch

It's the summer we'll never reach:
the final
arrangement of bodies.
Flesh
given to the air
becoming light
or evening
or the memory of rain

as grass is.
It's the habitable place
we make
not of death
or absence
but of how
the dancers move together
to become
these disappearances.
No aftermath or stain
though somewhere across the lake
amongst the rocks
where someone has hauled an upturned boat ashore
- the white of the hull in the moonlight
like a sign -
their conversation carries on the wind:
promises
lies
and the rhythms we've come to expect
from the painted dark.


May the Goddess watch over us all,
'tis ok to be Takei,
kerk tehkek
kerkevik_2014: (Luggage)
Returning to one of the poets from the Three Tang Dynasty Poets collection issued as part of the Penguin Classics 80th Anniversary. This caught my eye yesterday morning; think it was the image of the Moon floating that did it. I watched Apollo 13 twice in about thirty-six hours; one of those movies/tv eps that I go to when I need comforting. Of all the lines in it that captures my imagination is Gene Krantz defiantly stating that, "with all due respect, I believe this will be our (NASA's) finest hour."

Anyway this is Night Thoughts Afloat by Tu Fu (Du Fu)

Night Thoughts Afloat

By bent grasses
in a gentle wind
Under straight mast
I'm alone tonight,

And the stars hang
above the broad plain
But moon's afloat
in this Great River:

Oh, where's my name
among the poets?
Official rank?
'Retired for ill-health.'

Drifting, drifting,
what am I more than
A single gull
between sky and earth?



Goddess watch over us all,
'tis ok to be Takei,
Kerk TehKek
kerkevik_2014: (Woman_of_ and I)
Another one from Scottish Cats; different poet though.
This is dedicated to my dog, Tuppence; Bimbo, my cat, and Tessa a doggy who seemed as though she was around for ever. I'm sorry that I had to end your lives; sorrier that I have so few tangible memories of you, now that mine is failing. I will miss you always.


Otis by Hamish Whyte

I'd like to see you in my dreams, old cat,
nose pushing at the door
in welcome, warming your snowy
underside at the fire; ginger hovis
on my lap. Instead, I can't help
seeing you in your last minutes
staring at us with blind open eyes,
wheezing as your lungs shut down,
as all of you shut down,
your chin coming to rest
on the table as the drugs took
hold, put you to your dreamless sleep.


Hamish Whyte (b.1947)



Goddess watch over us all,
'tis ok to be Takei,
Kerk TehKek
kerkevik_2014: For Friendship (War Horse)
Sleep evades me, so I shall post this now. Second poem from Scottish Cats; second by Valerie Thornton - must find out more about her.


The Cat's Tale by Valerie Thornton

The cat doesn't understand
about reading
or the space between
my eyes and the paper
or the stillness.
The silence.

She pops up
between my propped elbows
soft as peach and ashes
under my chin
executes feline twirls
then lodges her tail
below my nose
so I can smell
how clean she is.

She sits on the page
translates the words
into thrumming
cheek/butts my nose
jaggy/licks my eyelid shut
and spins me
a compelling tale
of love beyond words.


Valerie Thornton (b.1954)



Goddess watch over us all,
'tis ok to be Takei,
Kerk TehKek
kerkevik_2014: (Courtney Love Black Queen)
Feeling Feline-friendly right now, so here's the first of some poems from a collection called Scottish Cats published in 2013; hardback, by Birlinn.


Familiar by Valerie Thornton

When I lie on the rug
the cat settles
in the small of my back
and we are a camel.

When I sit on the chair
in my big woolly jumper
the cat burrows under
and we're seven months gone.

When I stand by the window
longing to fly
my wings are rolled up
purring, across my shoulders.

When I'm trying to sleep
on a cold winter's night
I am near stifled
by a rumbling fur hat.

When I'm cooking our fish
and she tries to be slippers
I am a stumbling monster
she, a mouse under the dresser.

Valerie Thornton (b.1954)


Goddess watch over us all,
'tis ok to be Takei,
Kerk TehKek
kerkevik_2014: (Ook)
I learned today that a beloved friend lost a beloved friend of her own. She and that friend's sister are in pain just now. I'm feeling pain of my own; for them, and for the furry friends I've lost over the years.

For Tibby and Tuppence; for Bimbo and Tessa; for Tiger; Snowy and Pharoah, and many I knew who must be gone to pastures new where they can chase cars, and mice, or rabbits.

This is for Kira; whom I never met, for Arline and her other furry friend Chloe.

This is also for Amber Benson and the character she made live, over whom Arline and I bonded.


Poem for a cat I never met

I touch them as they snuggle; feeling tears for you
I remember friends I have lost who comforted me as they do;
feeling tears for you
I recall a Rabbit who made me cry; outwitting one of them;
feeling tears for when you made her laugh
I know they are lost; I felt lost when they died; whom I loved
I know that these three who have stolen my heart will
one day
make me feel these tears, as they feel tears
Tears I feel for you
though I never met you
I knew you because they loved you
Farewell; friend. Rest now by the fire, and sleep.


for Arline, my friend; Chloe who is still with her,
and for
GrPr. Devorgilla Morgan - Kira - 03/02/97 - 28/03/15.

Goddess watch over us all,
'tis ok to be Takei,
Kerk TehKek
kerkevik_2014: (The Story's Not Done)
Another poem, this time from #10, from the Penguin Classics 80th Anniversary collection. This is the title poem from the booklet; On the Beach at Night Alone by Walt Whitman (1819-1892).


On the Beach at Night Alone

On the Beach at Night Alone,
As the old mother sways her to and fro singing her husky
song,
As I watch the bright stars shining, I think a thought of the
clef of the universes and of the future.

A vast similitude interlocks all,
All spheres, grown, ungrown, small, large, suns, moons,
planets,
All distances of place however wide,
All distances of time, all inanimate forms,
All souls, all living bodies though they be ever so different,
or in different worlds,
All gaseous, watery, vegetable, mineral processes, the
fishes, the brutes,
All nations, colors, barbarisms, civilizations, languages,
All identities that have existed or may exist on this globe,
or any globe,
All lives and deaths, all of the past, present, future,
This vast similitude spans them, and always has spann'd,
And shall forever span them and compactly hold and
enclose them.



Goddess watch over us all,
'tis ok to be Takei,
Kerk TehKek
kerkevik_2014: (Lilac)
This is by the third, and last, of the Three Tang Dynasty Poets, Tu Fu (Du Fu) 712-770, in the Penguin Classics 80th Anniversary booklet I purchased a few weeks back. This is a longer poem but, I think, my favourite of the three I chose. It's a lovely song to a wonder of nature; enduring and strong.


The Ballad of the Ancient Cypress

In front of K'ung-ming Shrine
stands an old cypress,
With branches like green bronze
and roots like granite;

Its hoary bark, far round,
glistens with raindrops,
And blueblack hues, high up,
blend in with Heaven's:

Long ago Statesman, King
kept Time's appointment,
But still this standing tree
has men's Devotion;

United with the mists
of ghostly gorges,
Through which the Moon brings cold
from snowy mountains.

(I recall near my hut
on Brocade River
Another Shrine is shared
by King and Statesman

On civil, ancient plains
with stately cypress:
The paint there now is dim,
windows shutterless...)

Wide, wide through writhing roots
maintain its station,
Far, far in lonely heights,
many's the tempest

When its hold is the strength
of Divine Wisdom
And straightness by the work
of the Creator...

Yet if a crumbling Hall
needed a rooftree,
Yoked herds would, turning heads,
balk at this mountain:

By art still unexposed
all have admired it;
But axe though not refused,
who could transport it?

How can its bitter core
deny ants lodging,
All the while scented boughs
give Phoenix housing?

Oh, ambitious unknowns,
sigh no more sadly:
Using timber as big
was never easy!



Goddess watch over us all,
'tis ok to be Takei,
Kerk TehKek
kerkevik_2014: (Default)
Nearly chose another poem over this one by Li Po (Li Bai) 701-762; second of the poets in the Penguin Classics 80th Anniversary booklet - #9 in the series, Three Tang Dynasty Poets.

This one though feels far truer to my state of being right now; over time as well.


Hard is the journey

Gold vessels of fine wine,
thousands a gallon,
Jade dishes of rare meats,
costing more thousands,

I lay my chopsticks down,
no more can banquet,
And draw my sword and stare
wildly about me:

Ice bars my way to cross
the Yellow River,
Snows from dark skies to climb
the T'ai-hang Mountains!

At peace I drop a hook
into a brooklet,
At once I'm in a boat
but sailing sunward...

(Hard is the journey,
Hard is the journey,
So many turnings,
And now where am I?)

So when a breeze breaks waves,
bringing fair weather,
I set a cloud for sails,
cross the blue oceans!


Goddess watch over us all,



kerk tehkek
kerkevik_2014: (Scars and Stripes by Wes James)
Another poem connected, in my mind, with the world today; though this is even older. It comes from one of the booklets published for Penguin books 80th anniversary.

From #9 in the series: Three Tang Dynasty Poets, this is by Wang Wei (Wang Youcheng) circa 699-761. The theme of this one is flavoured with scenes I imagine taking place all over the world every day; that of families being sundered, possibly never to be mended.

Watching a farewell

Green green the willowed road
The road where they are separating
A loved son off for far provinces
Old parents left at home

He must go or they could not live
But his going revives their grief
A charge to his brothers - gently
A word to the neighbours - softly
A last drink at the gates
And then he takes leave of his friends

Tears dried, he must catch up his companions
Swallowing grief, he sets his carriage in motion
At last the carriage passes out of sight
But still at times there's dust thrown up from the road

I too, long ago, said good-bye to my family
And when I see this, my handkerchief is wet with tears.



Goddess watch over us all,



kerk tehkek
kerkevik_2014: (Ook)
Felt like posting some poetry; fitted my mood and my feelings of dull despair at the world today.

kerk


BERTOLT BRECHT
from A German War Primer
(1936-1938)


When the leaders speak of Peace
The common folk know
That war is coming.

When the leaders curse war
The mobilisation order is already written out.

___


It is night
The married couples
Go to their beds. The young women
Will bear orphans.

___


Those at the top say: peace and war
Are of different substance.
But their peace and their war
Are like wind and storm.

War grows out of their peace
Like a son out of a mother
He bears
Her terrible features.

Their war kills
Whatever their peace
Has left over.

___


On the wall was chalked:
They want war.
The man who wrote it
Has already fallen.

(trans: HR Hays and Lee Baxenball
kerkevik_2014: (Default)
From My Diary, July 1914
http://www.poemhunter.com/poem/from-my-diary-july-1914/

Leaves
Murmuring by miriads in the shimmering trees.
Lives
Wakening with wonder in the Pyrenees.
Birds
Cheerily chirping in the early day.
Bards
Singing of summer, scything thro' the hay.
Bees
Shaking the heavy dews from bloom and frond.
Boys
Bursting the surface of the ebony pond.
Flashes
Of swimmers carving thro' the sparkling cold.
Fleshes
Gleaming with wetness to the morning gold.
A mead
Bordered about with warbling water brooks.
A maid
Laughing the love-laugh with me; proud of looks.
The heat
Throbbing between the upland and the peak.
Her heart
Quivering with passion to my pressed cheek.
Braiding
Of floating flames across the mountain brow.
Brooding
Of stillness; and a sighing of the bough.
Stirs
Of leaflets in the gloom; soft petal-showers;
Stars
Expanding with the starr'd nocturnal flowers.


Wilfred Owen

Submitted: Thursday, April 01, 2010
kerkevik_2014: (Default)
Hi,

here is the second in what, I hope, will be a year-long series; starting last night with this poem - http://kerkevik-2014.livejournal.com/14145.html - to bridge the gap between the yearly US National Poetry Months.

This I found in a 2013 collection; edited by Hamish Whyte, called Scottish Cats.

Little Drama by Gerry Cambridge (born 1959)

A bonny night. I step outside ande gaze,
Head back in autumn dark, up into space,
Where stars between the clouds burn with quiet praise,
And think for whatever reason of your face.

Fine thoughts beneath those glittering Pleiades.
Regrets. Goodbyes. The largeness of the night
Summons easy nostalgia for futilities,
Free from the searching glare of window light.

But what's this, suddenly, about my feet,
Rubbing at my ankles? It's the old, black fat tom
Unusually affectionate, startling from
Revery, ragged-eared, with his small thunder.
Is it mere love, or food he wants, I wonder?
His presence somehow makes the night complete.


This one goes out to all shippers, but mostly to that original 'ship Kirk/Spock and the longest lasting Buffyverse 'ship; known as bangel, or Buffy/Angel. Never really liked Kirk or Angel; never got why Angel was so attractive as a partner for Buffy (nor Spike did I really get; despite liking Spike a whole lot more), but the longevity of these partnerships in fandom are undoubtedly part of why the shows were such successes.


Goddess watch over us all,
'tis ok to be Takei,
Ray.
kerkevik_2014: (Default)
Shared with love.

http://dduane.tumblr.com/image/84123168181




dduane:


ancientart:


The Oldest Love Poem.


The world’s oldest known love poem. According to the Sumerian belief, it was a sacred duty for the king to marry every year a priestess instead of Inanna, the goddess of fertility and sexual love, in order to make the soil and women fertile. This poem was most probably written by a bride chosen for Shu-Sin in order to be sung at the New Year festival and it was sung at banquets and festivals accompanied by music and dance.

Its translation:

Bridegroom, dear to my heart,

Goodly is your beauty, honeysweet,

Lion, dear to my heart,

Goodly is your beauty, honeysweet.

[…]

Bridegroom, let me caress you,

My precious caress is more savory than honey,

In the bedchamber, honey-filled, In the bedchamber, honey-filled,

Let me enjoy your goodly beauty,

Lion, let me caress you,

My precious caress is more savory than honey.

Bridegroom, you have taken your pleasure of me,

Tell my mother, she will give you delicacies,

My father, he will give you gifts.

[…]

You, because you love me,

Give me pray of your caresses,

My lord god, my lord protector,

My SHU-SIN, who gladdens ENLIL’s heart,

Give me pray of your caresses. (x)

Courtesy & currently located at the Museum Of The Ancient Orient, Istanbul Archaeology Museums. Photo taken by Yuxuan Wang.


Goddess watch over us all,
'tis ok to be Takei,
Ray.

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